Book Review: Unofficial Britain by Gareth Rees

What would an archaeologist in 2000-years-time think of Junction 3 of the M32 in the centre of Bristol?”

Gareth Rees recently published a new book, Unofficial Britain. This emerged from the website of the same name about “unusual perspectives on the landscape and culture of these strange isles”. Rather than look at the obvious places and landscapes, Unofficial Britain writes about marginal spaces.

Rees is fascinated by how folklore emerges, and modern things that are becoming folklore. There are chapters on pylons, motorways, hospitals. It’s about the sort of suburban landscape that I grew up in, and Rees makes it seem strange and exciting. The book is intended as a rebuke to the idea that folklore is under threat or disappearing, and looks for the “first flourishing signs” of new mythologies.

In an interview with Folk Horror Revival, Rees was asked to recommend three places in Britain to visit. His response:

That’s a hard one to answer. The main point of the book was to avoid obviously extreme or interesting locations and show that there is fascination in the everyday. We all live in places that are full of magic, weirdness and stories, if we can just dwell in them a while, look closely, and allow our imaginations to roam. So really I wouldn’t recommend visiting three specific places in the map – but instead visit three types of place near you and see what happens. I’d recommend: an underpass (ideally beneath a roundabout); an industrial estate; and a multi-storey car park. Go there, wander, poke about, and get the feel of the place. See what happens. You never know.

The best thing about this book is that it is full of trailheads to interesting things. This is the sort of book which, if you found it at an impressionable age, could divert you into a stranger life.

Book Review: David Graeber’s ‘Bullshit Jobs’

I’m very fortunate that my current job adds meaning to my life. This is not true of many jobs, including some I’ve had in the past. David Graeber describes these as ‘bullshit jobs’, which he defines as “a form of employment that is so completely pointless, unnecessary, or pernicious that even the employee cannot justify its existence”.

Graeber’s book shows the misery, waste and lost potential of these jobs, then applies his understanding of anthropology to looking at how this situation came to be, and why no-one does anything about it. ’The economy’ is made by people and through their participation and it could be constructed in a different way.

for some reason, we as a society have collectively decided it’s better to have millions of human beings spending years of their lives pretending to type into spreadsheets or preparing mind maps for PR meetings than freeing them to knit sweaters, play with their dogs, start a garage band, experiment with new recipes, or sit in cafés arguing about politics

When President Obama talked about the money that might be saved by an alternative healthcare system, he backed off from this, saying that it represented millions of jobs. He directly implied that it was important to keep these jobs, even while describing them as unnecessary.

This waste is everywhere, and contributes significantly to climate change through commuting and business travel. The arts are particularly wasteful, with bureaucracies consuming huge sums of money in managing grant proposals. A lottery might be more a effective means of producing great art.

Graeber also shows that, at the same time, jobs are eliminated as ‘unproductive’ simply because they do not produce profits. One example of this is the presence of staffed ticket offices on the underground. He points out that these roles were not just about selling tickets, but also provided a sort of ‘caring labour’, helping lost people and others in need.

One of the most satisfying jobs I’ve had was working as a hospital cleaner. It was hard and boring work, but it was good to know that I was doing something useful. As Graeber points out “Other jobs—ordinary cleaning, for example—are in no sense inherently degrading, but they can easily be made so”. One technique for this is through outsourcing. A present-day hospital cleaner is far less connected to the NHS than I was.

Graeber is cautious about discussing a solution to the problem, not wanting readers to get distracted from the book’s main argument by seeing it as simply an argument for a policy change. But he gently suggests that a Universal Basic Income might be a more humane and efficient way of managing the economy.

The Key to Twin Peaks

I’ve spent more time with Twin Peaks than any other art work. I’ve watched the series multiple times since its first release in 1991 and still find mysteries to explore. Last year, on a rainy walk, John Higgs recommended a 4 1/2 hour YouTube video about Twin Peaks that would explain the show. I was sceptical, but gave it a try.

The video begins with a spoiler warning, both for those who have never seen the show and those who know it well. It promises a unifying theory that explains all of it, from the fish in the percolator to the white horse. And it comes pretty close.

Over almost 30 years, I’ve turned this series round in my head, trying to understand it. Even with the help of these YouTube videos, I expect to be wrestling with it for decades longer. The most remarkable thing about this video is not that the theory is correct, but that it is possible someone could build a complete theory around such a complicated and symbolic show.

(From this point in my post, spoiler warnings are in effect, both for Twin Peaks and the video).

The idea of Twin Peaks as a critique on TV is obvious, from the soap-within-a-soap of Invitation to Love to Sam and Tracey watching “The Box” in Season 3. The play with Pittsburgher David Lynch, director of Twin Peaks, playing the FBI director from Pittsburgh was so foregrounded that I actually missed it. What this video did was to take this as an overarching principle and demonstrates how many things could be tied back into it.

Some of the claims and theories made sense. Throughout the show, Lynch is uncomfortable with the idea of a vicious sexual murder driving a mystery to titillate audiences who are watching over a TV dinner. While Lynch doesn’t always handle Laura Palmer’s role gracefully, he is aware of the issues (even as the show sometimes crassly mishandles gender and race).

One of the most interesting things is how Lynch fights against closure. During season three I was troubled by how mundane the explanations about Judy/Jowday were. Lynch kept trying to wrong-foot the viewer throughout the series, and Judy was part of this. That entity was an embodiment of explanation: removing all the mystery from Twin Peaks would destroy it.

I think that the character of Freddie Sykes, with his green glove, is another embodiment of frustration with closure. Sykes is ludicrous and out-of-sorts with the rest of the show’s tone, his origin story as ridiculous as that of any Jack Kirby superhero. And he finally defeats Bob by punching him into non-existence. This resolution has occurred several times in the Marvel Cinematic Universes. It’s not very interesting.

In that final confrontation scene with Bob, Lynch gives the fans what they think they want: Cooper sweeping in to the rescue. He has his reunion with the sheriff’s department (with Frank standing in for his brother, Sheriff Harry S. Truman). And Lynch shows us how hollow that resolution is.

The video was powerful, but also inspiring – about how a work of art could be intricate enough to support this level of interpretation without falling apart. But it didn’t provide me with the triumphant closure it warned me against.

Back when I was seventeen, I dreamed about meeting David Lynch. I asked him, “Is Bob an angel?”, and he told me I’d grasped the key to the show. Even as this video tries to explain anything, my personal interpretations (“unverified personal gnosis”) still stand. I suspect I’ll be turning over the mysteries of Twin Peaks for the rest of my life.

Imaginary Spaces (Susanna Clarke’s Piranesi)

A young man lives inside a structure of endless hallways, containing countless statues. Tides flow in the lower levels where he fishes for food; to the east, some of the halls have collapsed. Sometimes, another man comes to visit.

Susanna Clarke’s novel Piranesi describes a man exploring a strange world. He makes his own calendar, and tracks his life through journals. This sort of high-concept novel makes me nervous, as it can easily collapse into what literary critics refer to as ‘wank’. I was sure any revelation would break the book, but Clarke delivered a satisfying conclusion.

Piranesi made me think of other books set in infinite buildings, such as the Library of Babel, or Ballard’s The Enormous Space. And, of course, House of Leaves, since Piranesi describes his building as ‘the House’. The TARDIS is another reference, and the book includes a subtle reference to the episode Blink. It also refers to Dunne’s Experiment with Time which just keeps turning up.

(Having said that, I totally missed the references of the name Piranesi, and it was only after reading that I went to google and learned about the Italian artist’s Imaginary Prisons).

While the book is not about memory palaces, it made me think about such uses of imaginary space. I’ve been reading about Ley lines again, thinking about the way space can be used to remember and to tell stories. Someone once told me about Fulcanelli’s book The Mystery of the Cathedrals, which claims that France’s great cathedrals are actually alchemy textbooks.

On the final day of the CERN pilgrimage, the Liverpool Arts Lab led a tour of Liverpool along the shore Lake Zurich. One place was mapped on another. I sometimes think about measuring out the distances between Varanasi’s ghats, and placing them along Brighton’s seafront. That way, I can take my daily quarantine strolls in an entirely different place.

Wintering by Katherine May (Day 301)

As the pandemic shatters my sense of time, I look for new ways to define it. Normally, I track the year by external events – the Brighton Fringe, Christmas parties, birthday parties &c. The usual markers have disappeared, so that things like moon phases and sunrise and tides have become more important. Back in the summer, I became obsessed with the fact that I could see certain planets with my naked eye. (I must have learned about this on my astrophysics degree courses, but there is a difference between facts and knowledge). As the weather has grown cold, I’ve become more aware of the seasons. We are deep in Winter, but the daffodils are growing tall already.

Life meanders like a path through the woods. We have seasons when we flourish, and seasons when the leaves fall from us, revealing our bare bones. Given time, they grow again.

I’m trying to buy fewer cheap books on Amazon, but Katherine May’s Wintering stood out. It’s an odd and elegant book. The writing is very much in the style of memoir/nature writing and there is an element of the non-fiction quest, where several people are interviewed around a theme. May admits “When I set out to write this book, I fully intended to do more“, travelling the world and interviewing experts. It’s a stronger book for the fact that she didn’t. Instead, this is a more personal book, full of deep wisdom about how wintering affects a person.

I began to get a feel for my winterings: their length and breadth, their heft. I knew that they didn’t last forever. I knew that I had to find the most comfortable way to live through them until spring.

For May, wintering is a metaphor for dark times in life, and May gently draws out the comparison with how we survive winter to how we survive these dark times in our own lives. “Wintering is a season in the cold. It is a fallow period in life when you’re cut off from the world, feeling rejected, sidelined, blocked from progress, or cast into the role of an outsider.” It’s a book about how to retreat. As May writes, “I have learned how to winter the hard way. It’s a skillset, of sorts.

There are gaps in the mesh of the everyday world, and sometimes they open up and you fall through them into Somewhere Else. Somewhere Else runs at a different pace to the here and now, where everyone else carries on. Somewhere Else is where ghosts live, concealed from view and only glimpsed by people in the real world… Perhaps I was already teetering on the brink of Somewhere Else anyway; but now I fell through, as simply and discreetly as dust sifting between the floorboards. I was surprised to find that I felt at home there. Winter had begun.

Wintering is the first book I’ve read in 2021, and was the perfect companion at the start of a fearful new year. It’s a reminder that I should take things slow, that these are hard times, but that we will get through them.

Here is another truth about wintering: you’ll find wisdom in your winter, and once it’s over, it’s your responsibility to pass it on. And in return, it’s our responsibility to listen to those who have wintered before us. It’s an exchange of gifts in which nobody loses out.

Recently, the seafront has felt uncomfortably busy. Rather than walk there, I’ve been pacing the parks inland. I’ve taken solo daily exercise walking laps of Hove Recreation Ground. A couple of times recently, I’ve walked with friends around St. Anne’s Well Garden. Much of the ground here is bare, reduced to mud. The squirrels scamper, patting the ground, looking for caches of food. Someone told me that squirrels have little memory for their stores, that they recover them more by chance than instinct. In St Anne’s Well Garden the squirrels are almost tame, and will sometimes walk up to people, walkers without dogs, to see whether by chance they have any food to offer.

But we are brave, and the new world awaits us, gleaming and green, alive with the beat of wings. And besides, we have a kind of gospel to tell now, and a duty to share it. We who have wintered have learned some things.

The Saddest Music in the World (Day 300)

“I’m Kate and I’m playing the saddest music in the world”

Kate St Shields has played some great lockdown DJ sets. On Friday, she broadcast a couple of hours of the saddest music she could find. As well as being sad, the songs were sometimes strange and wonderful, including a moving cover of Imagine by Yoko Ono.

“Maybe if you listen to enough sad music, it will have the opposite effect?”

I was listening in an appartment with my support-bubble friend, waiting for a much-delayed curry. Hearing a DJ play heartbreaking music to a quiet town was intense. A little like being at the end of the world, waiting out the last days. Like being in our own private apocalypse movie.

“Catharsis… in the shape of really sad music”

Kate had been asking on Twitter for the saddest music people knew, and closed with Gavin Bryar’s 25-minute version of Jesus’ Blood Never Failed Me Yet. Then, as an encore, she played a sad, fragile she’d recorded of If You’re Going to San Francisco. The pandemic bring extraordinary experiences, some of which are, in their own way, wonderful.

In response, below are 14 of the saddest songs that I know:

How to Win At Lockdown (Day 299)

Groups sit on Brighton beach, looking out towards the windfarm

When I threw out my 2020 calendar, most of the squares were empty. In 2021, I am working on filling out the days as best I can. Of course, it’s only zoom calls and the occasional walk with a friend, but I’m trying to make my experience of the current lockdown a more social one than the past six months have been.

As inevitable as the third UK lockdown was, it still felt like a blow. The sloppiness of preparations over the summer have inevitably led to disaster. By January 5th, over a million people were infected with the virus. It feels like a very scary time, and it’s hard to imagine how it must feel to be working on the wards.

Personally, I felt low as the restrictions came in. I had one day after Christmas where I didn’t speak to anyone other than the staff at Small Batch on the way to the office. That evening I spent six hours playing Death Stranding and it felt more real than my actual life. The downtime over New Year was much needed, and I’m feeling a little more connected now.

I’m not expecting lockdown to be significantly eased before Easter. Even if the vaccination programme goes smoothly, it will take many weeks to vaccinate everyone. Lockdown will remain normal life for some time. Back in October, I wrote:

It’s not that I think… this is likely to go on into 2022. But answering the question ‘What if this lasts forever’ makes it easier to deal with shorter periods of time. How should we enjoy life and thrive with these new limits?

I took the first lockdown as a quiet, meditative time, and that worked well. After that, I never settled into the inherent shitness of life in confinement (even as I remain grateful that I did not have to deal with the problems faced by medical staff, teachers, parents etc).

Maybe my problem with Lockdown is not getting into the swing of it. I never did my Joe Wicks PE classes, or Yoga with Adrienne. I shunned zoom quizzes. I didn’t watch the whole of Tiger King.

I’ve not even been in a social bubble since my best friend moved away. Part of the reason for this was finding a suitable household – many friends are were in house-shares, with housemates that are bending or breaking the rules. I’d not been too bothered, but realised recently how important sharing food is to my social life. So, I have a new bubble formed, which means I could meet a friend for a takeaway curry yesterday.

Lockdown will continue whether I hate it or not. So, better I try to enjoy it as best as I can. Now, where can I get a sourdough starter?

Brighton and the Internet of Place

“The Internet of Place” is a great buzzword. When you hear it, you know what it might be, and the concept rhymes well with “Internet of Things”. You imagine small autonomous nodes, taking advantage of their locations in the real world; a blossoming of tiny interactions with the world that makes life more convenient, interesting and meaningful.

In 2015, Brighton was chosen as one of the digital catapult centres, receiving funding and support to set up a variety of technical initiatives, including the Internet of Place. The requirements were open ended, as explained by Nick Hibberd, the head of city regeneration at Brighton & Hove city council: “By allowing a collaborative space, innovation will come. But innovation by its very definition means you don’t know where it’s going to end”. It was intended to provide collaboration between public sector, universities, SMEs, Amex and Gatwick Airport, “to turn Brighton’s best digital ideas from concept into reality, creating new products, services, jobs and value for the local economy”.

The Internet of Place was about combining Internet of Things (IOT) devices with geographical locations. But this vision went beyond the sort of tedious location-based ideas that I’ve seen pushed since the early days of SMS. As the Guardian wrote:

Local leaders also want to use the internet of place to improve the way the city manages its infrastructure, including transport systems, and the 11 million tourists who visit each year. There could be apps to direct drivers away from the most congested areas and help them find free parking spaces. Improving public transport and encouraging visitors to use park and ride facilities

Another important aspect of the catapult was to unlock local data services, with the idea that “data sharing will also help to create better services, from transport to healthcare”. The article explains how data is potentially highly valuable, and exposing it to the world could produce a significant economic boost, with the 5G test network adding to this.

The Internet of Place was also intended to support local business who might not have the technical skills or money to provide a rich digital experience. The Guardian interviewed Ben Potter, from marketing agency Leapfrog, who talked about the IOP driving business to shops without an internet presence: “If we can create a platform that understands the main interests of consumers – such as films, food, clothing brands – then local retailers can send out targeted messages to people’s mobile phones as they walk past,

(This vision brings with it the danger of location-based spam, one of the big flaws in location based marketing since the early days. How do you engage people while also interrupting them? I’m assuming there are ways to do this, but those challenges probably dwarf the technical ones)

The digital catapult funding has produced two successes in the 5G testbed and am immersive tech lab supporting the production of AR and VR applications. But the promised internet of place applications never appeared.

Searching Google for mentions of the term in the past year returns only a handful of results. It’s a shame, considering how exciting a vision had been laid out a few years before. Given the creativity in Brighton’s tech scene, I can’t imagine what ideas we might have seen around wayfinding, location, retail, , tourism, art and games.

On Top of Glastonbury Tor (21/06/18)

I am standing at the top of Glastonbury Tor when my phone buzzes: my sister’s email is not working and can I fix it.

I have my laptop with me. My Airbnb, while comfortable, has no locks on the door, so it was better to bring it with me. Since I’ve got my laptop, I can work out what’s wrong with the email from here, using my phone as a portable hotspot. And so, at the top of the holy hill, I go online and check things. Once a test email goes through, I can put the laptop away and get back to being a tourist. It’s late in the day after the solstice and the hilltop is full of people celebrating, playing and meditating.

The Internet has grown to encompass the world. We used to ‘go online’; now online is all around us. Even on the top of Glastonbury Tor I can be as connected as I am at my house.

In his book, New Dark Age: Technology and the End of the Future, James Bridle quotes mathematician Harry Reid’s description of working with the ENIAC, one of the first computers. This was a machine that took up the whole of a large room, and Reid says: “The ENIAC… was a very personal computer. Now we think of a personal computer as one you carry around with you. The ENIAC was actually one that you kind of lived inside”.

As Bridle goes on to point out, we all live inside a computer now, “a vast machinery of computation that encircles the entirety of the globe and extends into outer space on a network of satellites [while] it has rendered itself almost invisible to us”.

The supply chains, our phones, the planes in the skies, are all part of a massive network. Satellites send signals that tell us where we are anywhere in the world. We can no longer opt out. Everywhere I go, the Internet is there in some form. I don’t usually have my laptop in my bag, but my phone is always there.

The problem with this is that all places start to look the same. They all look a little bit like the UI on my Android phone.

This is an excerpt from a work in progress, A Hiker’s Guide to Brexit. It comes at the start of a chapter about Glastonbury, and how Britpop caused Brexit.

New Atlas Obscura Site: The Portslade Gassie

A new Atlas Obscura entry recently appeared near my house, for something I’d never heard of: the Portslade Gassie. I’d walked past the site several times without noticing anything, so it seemed like a good destination for a walk.

Apparently, there were several of these wooden boats, which acted as a form of public transport across a canal to the gas works. The site the boats were used to reach was 40 acres large by 1926, according to the sign.

The boat itself is a ruin, and the site of a busy, grim junction. Litter in the area was hidden by weeds. It made me wonder who maintains these things, and decides they must stay in place, even as they become overgrown and ruined. I wondered who this was placed here for. Was someone waiting for the boat to rot enough that it could be removed? But, if nothing else, it provided something to see on an empty lockdown Sunday.