The Money-Burner’s Tale

Jon Harris, aka the Money-Burner, recently published an account of the Cerne2CERN pilgrimage, Barefoot in Bollingen. It’s a great essay, threading together a number of themes.

The pilgrimage was a strange and significant event for me, and one I don’t yet understand; but I’m OK with taking a long time to absorb what happened. Those few days were like nothing I’ve done before. I’m taking my time to interpret and understand the events, and seeing the writings and responses from other pilgrims is a part of this.

One of the many aims of the pilgrimage was as an action to eliminate ‘story as we know it‘, an idea raised in Daisy Campbell’s show Pigspurt’s Daughter. But there were a lot of other aims, and whole networks of meanings and correspondences. To quote Jon quoting Daisy quoting Bill Drummond, ‘As to why, if we knew why, we wouldn’t be doing it’.

Jon’s essay explains why we went barefoot in the final part of the journey to Jung’s garden; it was related to the procession of the Crown of Thorns into Paris. The essay also talks a lot about ritual, something I’ve been thinking a lot about, particularly in relation to the Loops performance. I was particularly taken by the idea that ritual should be about more than producing an effect:

In my own Rituals I’ve found that the more I can let go of the idea that a Ritual has a function — that it is for something — the more powerful it is. What I mean by ‘powerful’ is that it sits more solidly on its own fixed point and so exerts a greater pull on the vortex of synchronicities that surround it. It pulls them into being.

There are other things I love about the essay. I love the glimpses of the pilgrimage’s logistics –  as someone who’s worked as a project manager, I learned a lot from seeing Jon and Daisy work. I have no doubt that those lessons will emerge in upcoming IT projects. But, swerving from the essay to talking  about myself, the piece also made me rethink my writing.

Story tends to be focused on in a lot of writing, even in non-fiction works. The first creative writing course I did focused on literary fiction and we were taught to fold everything into a plot. But story can be unsatisfying – particularly when all of it is based around a limited range of models. For example, Save the Cat dictated the plot of many recent Hollywood films. Jon’s piece made me realise that the writing I’ve loved most over the past few years is not about telling a story as such. Indeed, while it is ‘about’ the pilgrimage, that’s more in the sense of ‘writing around’ than telling its story.

Reading this particular essay made me realise how much I love writing that builds networks of ideas. These sorts of symbolic connections seem to particularly emerge in writing informed by magic, manufacturing (revealing?) meaning in the connections. As specific examples, I’m thinking of John Higgs’ book on the KLF,Cosmic Trigger or Promethea. There are more interesting ways of writing than telling stories.

Reclaim the Sacred 2019

Monday 4th November, and it was raining in Brighton. Some of the train lines were flooded but I set out anyway, heading to London Bridge and the 4th annual ‘Reclaim the Sacred’ event.

The meeting point was the dragon on the South-East corner of London Bridge. This creature sat on top of a pillar which proclaimed the border of the City of London. This area is not a London borough, but is actually a distinct county, the smallest in the UK.

The plan for the day was to walk through the city of London, performing a series of small rituals. I’d read about the 2018 event in CJ Stone’s blog but still wasn’t entirely sure what to expect.

Reclaim the Sacred began as “a series of public rituals in order to assert our right to spiritual expression in sacred space”, and there had been incidents in previous years of private security guards trying to stop proceedings for fear that privately-owned public rights-of-way were being used for unsanctioned commercial activity. We had no such interruptions this year, however.

The day began with a short introduction from CJ Stone, explaining how the event was originally planned as a one-off, but had somehow ended up occurring annually. We then asked the dragons for permission to enter their domain, making the mark of two crosses on our palm (the City coat of arms) and reciting the motto of the city, Domine dirige nos.

From there we followed a route to Monument for a recital of the Druid’s Vow, then on to the Bank of England. Here, The Money Burner read a section of David Graeber’s book Debt before conducting a small forgiveness ceremony. After that we walked to the Thames, before a final ritual at the London Stone. I’d not seen the London Stone before, although I had read about it in John Higgs’ book Watling Street.

It felt strange to wander through the City of London on a weekday when we were neither tourists or workers. It was as if we were outside the normal life of the city. I was amazed at how few people seemed to notice our group, looking past us. It reminded me of how the strange beings in Neverwhere went unremarked by passers-by.

The walk also brought alive aspects of London I’d read about but never really felt. I’ve read a lot of accounts of London as a palimpsest, but I felt this for the first time as we followed a the route of a lost river, the Walbrook. On a square outside a Starbucks, watched over by Melusine, we listened to a poem. One of the group then explained about how archaeologists had dug below where we stood and found bent stylae, which had been given as offerings.

The final ritual involved placing stones we’d brought with us as offerings to the London Stone. I placed a hagstone that had been sitting on my altar.

I went on the walk as an experiment. I’ve been thinking a lot about ritual in the months since the CERN pilgrimage – how it’s vital to modern life, how it differs from habit. Professionally, there’s also the question of how project management methodologies such as Scrum are overwhelmed by their weekly ceremonies, and the place of the daily stand-up ritual. Participating in public, performative rituals was an interesting starting point for exploring questions like these.

We ended the day in a large pub, and split into small groups to chat. It was fascinating to see how different people had come to be there. Everyone I spoke to was friendly, and I was particularly pleased to discover a fellow celebrant was a clown. It was also great to meet King Arthur Pendragon, who I’d read about in John Higgs’ and CJ Stone’s books.

It was a fascinating start to my last week before the new job, and I’m grateful to everyone involved in putting it on.

Pilgrimage Maps

Later this month, I will be part of a group of people engaged on a great journey. The full details are yet to be widely revealed, but traces of it have emerged: in Daisy Campbell’s show Pigspurt’s Daughter, in a recent Psychedelic Detectives podcast, in a hashtag. It’s an amazing caper and one of the strangest things I’ve ever been involved in.

The other week I took lunch with a friend and mentioned the trip. He asked my why, and I didn’t have a snappy answer. It’s part of a larger story, one that goes back over fifty years; maybe longer, a lot longer.

A number of things have led me to this moment, but one of the most powerful (a true wampeter) was John Higg’s book on the KLF. I bought the first version of the book, back in December 2012. The story John told amazed me, and I ended up drawing a map of how many of my obsessions were linked through it. Threads could be drawn out to William Burroughs, Abbie Hoffman, Punch & Judy, Stone Circles and the Invisibles. Higgs’ book placed the KLF at the heart of a network of myth, magic and creativity.

A map of interesting things in the John Higgs book

That map now feels like comic-book foreshadowing, like when the Avengers found their future timeline laid out in a map.

As well as John’s KLF books, there were other things leading to the pilgrimage. I saw a crowdfunder for a discordian festival, paid £23, and ended up going along to Festival 23. Rosy began working on her one-person show, part of which is set in CERN, and also refers to David Bowie, whose Blackstar is a touchstone for the pilgrimage. Then there was an event in Brighton organised by David Bramwell, a launch event for Michael Coveney’s book on Ken Campbell.

Threads began to cross too. I got in touch with Cat Vincent after using some of his research in a talk about Internet brown notes. I met Cat for the first time at the launch of John Higg’s second book. Cat would later work with me and the Indelicates on the October Ritual event, where we cursed Brexit. The links go back to my late teenage years, doing a degree in Theoretical Physics. Or to the Invisibles comic book, with its concept of a hypersigil, a work of art that functions as magic.

One of the things I loved about Brighton was how many people I knew with secret identities. Some of them had buried old names with old, unwanted identities. Others had their performance names, which turned their ‘real name’ into a secret identity. I stayed the same, like Rick Jones. But this pilgrimage has brought me an alias.

The periods before and after a pilgrimage are as important as the journey itself. People are drawing together, collaborating on new things (check out Pilgrim Radio), making a new myth. There is a story unfolding.

Sweden

The thing about blogging is that I post less when life gets really exciting. I went to Sweden almost three months ago and have had this post in draft for weeks. I’ve just not had time to catch up on things. Back at the start of September, I spent several days in Gothenburg with my friend, Swedish writer, Louise Halvardsson. I ate at one of Sweden’s notorious pizza restaurants, saw penguins in the local park, drank beer in a tiki restaurant, met a Rosy Carrick lookalike, went swimming off the southern islands, visited the Liseburg theme park and a disturbing Bruce Nauman exhibition.

Lou wrote a post about my visit, although she’s exaggerated what I said a little to make it a better story. As one should.

My favourite thing was the last day when we took a train to the end of the metro line where there was a small lake. We swam and lazed around in the sun. I knew then it would probably be my last swim of the summer. And then I got back on the metro and headed towards the airport and flew home.

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