I’ve mentioned recently about how frustrating Brighton is for hiking. We’re not supposed to take public transport unless necessary, so I’m currently confined to hikes that start from my house. There are only so many routes to the Downs within walking distance, all of which involve long stretches of built-up areas.
On the last day in May, rather than setting out West or North, I went West, striking out for Shoreham. This meant a long stretch of walking along low-grade industrial areas. I still found a few surprises, like this poem written on a piece of slate:
I took breakfast at the lighthouse, watching a boat come in, and was in Shoreham itself just before eight, joining the Downs Link Path near the Ropetackle Center.
I’ve talked in the past about how unsatisfying I found the Downs Link. As a former railway line, it’s straight and flat with trees blocking the views on both sides – although I was glad for the shade on this occasion. I imagine it is more fun to cycle the Downs Link than to walk – and there were lots of mountain bikers, some of them giving little quarter to pedestrians.
Near the old cement works, someone had stored the bases from the ornamental snails that had been placed around Brighton a couple of years back:
Walking by the Adur was pleasant. The river turns up in Nick Cave’s song Jesus Alone (You fell from the sky / Crash landed in a field / Near the river Adur / Flowers spring from the ground). The word Adur is also, by coincidence, a concept in Basque magic related to the magic of naming.
At one of the bridges across the Adur, the Downs Link crosses the South Downs Way. I had considered heading further west to Chanctonbury once I reached the South Downs Way, but I wasn’t in the mood for the 3-4 hour round trip, particularly when my big toes were still bruised from the Brighton and Hove Way the week before. Instead, I crossed the A283 and headed up Beeding Hill. I even took my hoodie off, since I’d remembered the sun cream this time. It’s a good little walk, and one I like.
Sometimes I wonder what I get out of these walks. I like the exercise, I like the scenery, but distancing is making me too aware of my familiarity with these paths. Also, the geology of Sussex is so fucking boring. The landscape has none of the interesting features found further North. The need to go out to the same places every weekend is draining some of the joy from walking. And having to walk alone underlines how much more I enjoy the social sides of walking.
At the Youth Hostel, I stop on one of the picnic tables, now placed to block access to the camping area. A couple of men pass on bikes, their stereo loudly playing Eminem, and I try not be be irritated by how they’ve inflicted their choice of music on other people.
The hills bounce towards Devil’s Dyke, and I’m thinking a question raised by a project I’m contributing to: how should writers record walks? There is a lot of writing about walking, some of it very good – The Salt Path is one of my favourite books. But nature writing and accounts of hiking can easily devolve to men wandering about, noticing things. It doesn’t matter how clever the noticings are, it’s still wearing. How do you write about place without devolving into that debased psychogeography which is men writing to show where they’ve been, like dogs pissing on fenceposts?
I wonder if I’m spending too much time by myself. I wonder what type of walking-writing I would most like to read, rather than that I find easiest to write. I have lived my entire life within sight of these hills, bar a few months here and there. Does that matter? Should it matter?If you want to follow what I'm up to, sign up to my mailing list