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Just been for breakfast with Mum & Dad and came home to change into my suit.  Looking forward to the ceremony but expect my feelings to be different after two hours of listening to names read out.

Tom has a post on last night featuring photos and a link to a video of Spliff Richard.

OK time to change.  Had to buy a new shirt because I didn’t fancy wearing a black shirt with my suit.

Yesterday was my last day with Sigmer.  I’ve very much enjoyed working with everyone there, and will hopefully stay in touch with them in the future.  Hopefully it won’t be too long until my next visit to The Swan!

After work I went to the Jubilee Library for the launch of Queenspark‘s Deckchair Guide to Brighton and Hove.  The book is a guide to Brighton, written by local residents, which I helped with last year.  I haven’t blogged about this before, so it deserves a post of its own (probably next week).

After that I met Tom and Sophy at the Komedia for Hammer and Tongue‘s 5th Annual Poets vs MCs Slam.  The event featured a lineup of rappers and poets and was framed around the idea of seeing which were best.  In the event it turned into more of a showcase of two Brighton scenes, with interesting combinations such as an MC freestyling over a ukelele song.

I’d seen a number of the rappers at Slipjam:B in the past and, for whatever reason, they didn’t seem as tight as usual last night.  The poets (including Robin from BPS, Chris Parkinson, Rosy and Jimmy McGee) were very good , thriving in front of a massive crowd.  The most impressive performance came from Spliff Richards, who won last year’s Hammer and Tongue slam competition.

Today is another busy one, as I’ll be graduating from my MA.  Expect photos of me wearing full robes in due course.

As I posted recently, I’ve been looking at the writer BS Johnson, reading his novel Christie Malry’s Own Double Entry and Johnathon Coe‘s biography Like a Fiery Elephant.  The biography is excellent so far, making Johnson sound like a character from a novel (which in some ways he was…), as well as raising questions about the genre of literary biography.

One sign of a good book is that it leads to other interesting things, and Coe’s biography led me to the writer Ann Quin.
Quin died the same year as BS Johnson.  She came from Brighton, growing up in Lewes Crescent, and committed suicide weeks before Johnson himself, swimming out to sea off the Palace Pier.

 

I found a long article including some exciting excerpts from Quin’s work.  It points out "The University of Sussex library contains none of her books", which remains the case, despite recent re-releases of her work.
The article also quotes a review stating that her book Three is "exquisitely written from the first page to the last. If you don’t read it then you’re not interested in the present and possible future of the English novel".  I hope it’s still as good now as it seemed to be then.

I’m not the only person thinking about Ann Quin, as Lee Rourke wrote an an article on her for the Guardian website:
"Berg is a beautiful novel: it is dark, esoteric, haunting – sometimes disturbing. It is saturated with detail, particulars and minutiae. A novel of voices and voice. The best novel ever set in Brighton in my opinion – forget Patrick Hamilton (as splendid as he is), Ann Quin’s Berg is the real deal. It cuts through the superfluous like acid and marvels in the seamier mystery all our seaside towns, and especially Brighton, keep hidden. For an insight into what British literary fiction could have been if we’d only have listened, I’d start with Berg by Ann Quin every time."

"The Brighton Pebble Museum is as irregular as the tides; an occasional project that addresses the formal beauty and abstract mystery of the pebble in all her forms through workshops, geological lectures, field trips and afternoon walks."

Since finishing the MA I've read a lot about the Beats.  The biographies are entranced by the writers' literary genius, and make their lifestyles seem great fun.  Sometimes I want to read a book that's more balanced – their work may be great, but they left death and unhappiness in their wake.  Burroughs shot his wife dead, his son destroyed two livers drinking himself to death; Kerouac too killed himself with drink, dead at 40.  Howl, for all its power, is a poem of despair. The same openmindedness that allowed Burroughs to take staggering leaps of imagination also left him prone to grotesque errors such as his misogyny and (later recanted) support of scientology.  Maybe every critical flattery, every collaboration by Burroughs with right-on acts like U2, REM and Kurt Cobain should come with an outline of his grotesque side to provide a sense of balance.

One of the most tragic figures in the Beat Generation was Joan Vollmer.  Furiously smart, she was fated to die at 27, shot by Burroughs.  I've been reading Jack's book, an oral biography of Kerouac by Barry Gifford and  Lawrence Lee.  This book has a sad glimpse of Vollmer during a period when she was addicted to benzedrine and barely sleeping.  Helen Hinkle, wife of Al Hinkle, describes the scene:
"Joan, of course, never slept.  And because the kids would be sleeping, and Bill would be sleeping for part of the night, she had to do something.  There was a barren tree right outside the porch.  The house was L-shaped and porched all-round, and there was this dead ghastly tree.  It was just covered with lizards, and she used to rake the lizards off the tree at night.  I don't think she killed them.  Of course they went back.  That was their home.  It just gave her something to do at four o'clock in the morning in the moonlight"

Last night was the second anniversary of Wordplay at the Sanctuary.  The event opened with poetry from Rosy and Byron Vincent.  Rosy was excellent (of course I’m going to say that, but she was) and everyone seemed to enjoy her new material.  Byron was someone I’d heard about and enjoyed watching perform.

I also got to see Bunty once more.  Bunty performs alone on stage, sat on a chair,and builds a series of improvised loops she then sings over.  I bought a copy of her album Licking La Lune after her set.  The packaging on this is incredible, beautiful illustations on the case and booklet.  The back states "All tracks recorded live on the 5th December 2006 using a Boss Loop Station, Boss DDS Delay pedal, one SMS8 Microphone and Bunty’s Mouth".  The tracks are so quiet and funky – sultry perhaps? – and sound like nothing else I’ve heard.

The next event is February 12th – no idea who’s performing there though.

Yesterday was the NaVloPoMo screening in Brighton, as organised by my housemate Beth.  NaVloPoMo was a project by a group of videobloggers who aimed to post a video for every day in November 2007.  The screening showed a selection of these videos, featuring participants from around the world.

Events like this have a beautiful combination of intimacy and distance.  A room in Brighton has about 40 people watching videos made by about 40 people around the world, some showing intimate glimpses into their lives.  The films ranged from experimental shorts to video diaries to people talking to camera to…  Afterwards people had an opportunity to chat to some of the filmmakers over a drink and I got to talk to some interesting people.

Among my favourite shorts:

• I worked nights
• Candles
• The Panther’s Footmarks in the Garden
• Ancestors

The night before I’d been dreaming about listening to the sea with shells.  Sitting next to Ruth and I at the screening was a woman with a bag of shells.  She’d bought them at the beach, as she said she collected them.  I listened to the shell she had, but it was the wrong shape to hear the sea clearly.

Interesting: trailer 1, trailer 2.  After the end of season 3 I’m excited about Lost again.  It’s gone off-track at times but at its best the show is creepy and bizarre.

It’s been a good weekend.  I had a quiet night Friday, cooking for a couple of friends, then set out early the next day for London.  I started by visiting the Jeff Bark exhibition, Woodpecker.  The images were incredible, the lighting making the scenes dreamlike.  Sadly  I didn’t have the £10,000 I’d need to buy a print so didn’t linger lest the gallery figure that out.

I walked from Chelsea to Tate Modern along the Thames.  On the way I passed by Tate Britain and popped in to see whether the Fairy Feller’s Masterstroke was currently on display.  It was: the painting is much smaller than I expected, but incredibly striking.  In particular the faces on the fairies are strange and wonderful.

 

When I reached the Tate I wasn’t much in the mood for looking at pictures, and spent the time catching up with a friend I’d arranged to meet instead.  I then headed back to Brighton, spent a couple of hours writing, then turned North again for a ‘Fake New Year’ party.  I caught up with some old friends, met lots of new people and had a thoroughly good time.  Photos will probably turn up on flickr somewhere.

Sunday has been quiet.  This morning I went to the playground with my godson and discovered I’m a little too wide to comfortably go down the slide.  In town I went shopping, where I found a copy of Murakami‘s Norwegian Wood for a pound.  I didn’t like The Wind-Up Bird Chronicles (the aimlessness of the main character annoyed me) but I’ve heard some interesting things about this one.  I also found a copy of BS Johnson‘s novel (although 20,000 words stretches the definition a touch) Christie Malry’s Own Double-Entry.  The introduction to the book was incredible and deserves a post of its own.

I’m now settling in for a long slow Sunday evening.  I have nothing else left to do but writing and prepaing for the week ahead.