Frankie Vah, ranting poet, must be in his mid-fifties now. It’s a long time since the 1987 election, when Frankie toured the country as a support act for indie band The Midnight Special. Vah would be completely forgotten if he were not the subject of Luke Wright’s new play, Frankie Vah.
By looking at the problems within the Labour party of the 1980s, Luke has found an interesting way to approach contemporary issues. There’s an incredible amount of research into the time – Kinnock: The Movie, an election broadcast, is an essential point, as is the deputy leadership contest between Dennis Healey and Tony Benn. Somehow, this level of political geekery is passed off gently, introducing the background without obvious exposition. And it’s done well. The show I saw was followed by a Q&A with various politicians who’d attended gigs at the time, possible even ones Vah had performed at, and they accepted the reality of Luke’s play without question.
Obviously, I never heard Vah perform, but Luke’s performance does an incredible job of summoning an energy and outrage around Thatcherite politics. Lady Winter, Luke’s reconstruction of the sort of poem Vah might have done, is pitch-perfect and stirring.
For a play about the 80s, Frankie Vah made me think a lot about current politics. About idealism vs compromise. About what art can do to change the real world. The show is currently on at the Soho Theatre, but if you can’t make that, then the script has been published by Penned-in-the-Margins. It kept me company on a recent trip to Ireland.