There are a lot of things I’ve missed in Brighton through laziness, shyness or just not knowing how to say “yes, and!” to opportunities: magazines I should have tried writing for, famous people I never met, urbex adventures, the Church of the Subgenius etc… But the thing I most regret is never playing The Brighton Game.
The Brighton Game was a weird mix of treasure hunt and I-spy book. When you joined, you were sent a catalogue of missions. These ranged from simple (“gamble £5 on the pier”) to difficult (“be photographed in the mayor’s chain”) to the dubious (“barbecue a seagull”). You wrote in to the game-master with proof of any tasks that you’d completed and every six weeks you were sent a newsletter containing the latest scores, other player’s responses and new missions.
The game apparently started in 1991, and a lot of Brighton’s weirdness in the 90s can be traced back to it. Playing wasn’t cheap but, really, I should have found the money. I don’t know exactly the details of how it ended but I know that it wasn’t good, involving a viking burial near Saltdean that got the authorities involved. The players and the organisers kept a low profile after that. You occasionally find traces of the game – I saw an update letter for sale in a junk shop; and someone once showed me the rulebook, but said it was too precious for me to take it away to photocopy.
I am sad I never got to play The Brighton Game. But now I have the the tools and technical skill to build something similar for myself online. So, I present: Keep Brighton Weird. It’s a web version of the what I imagine the game is like, with some basic ideas inspired by articles I’ve read about San Francisco’s SFZero. It’s currently in alpha (ie it’s playable but there may be bugs and things that need fixing). I also need to write many more missions, so let me know if you have any suggestions. The name Keep Brighton Weird was inspired by the Keep Portland/Austin Weird campaigns (I wrote about the Keep Brighton Weird slogan back in 2015).
And, if anyone reading this knows where I can get hold of any original mission catalogues, I’d love to include those in the game. But I’ll probably miss out using the challenges that caused so much trouble first time around.
This is not the only Brighton. This is Brighton-1218, Brighton Prime. It’s a nice, safe place to be if you’re a regular person.
Brighton-616 is an exciting one, a world of superheroes; sometimes you see visitors from the Xavier School in Upstate New York, over to visit Braddock Manor to the town’s north. There is Brighton-1705, where a succession of storms wrecked the town – nothing remains, just piles of shingle. Brighton-199999 is made up of the Brightons seen in movies: Quadrophenia and Brighton Rock are real in this universe. In Brighton-54, technology has run wild, but people still aren’t happy. In Brighton-2376 the town has been swamped by the ocean, and amphibious people live among the shells. Brighton-72 is where a local kid became prime minister at the age of 17. Brighton-8311 is populated by anthropomorphic animals – they have mated among themselves and produced chimeras. Brighton-14 is a world of grimdark violence. In Brighton-2149, the dead have risen and everyone has been turned to a zombie; they pace the promenade, no need to work. In Brighton-1602 it is still the Elizabethan age, but as a world of wonders. Brighton-3165 is a world of sentient cars. Brighton-1588 is ruled as an outpost of the American Empire. In Brighton-25, all the men have died from a virus, and women have created a new world. Another virus struck Brighton-2323, but killed no-one – instead their skin turned white, except for lips and noses which became bright red, hair turning green. But an ever-increasing number of the Brightons are like Brighton-11, destroyed by nuclear war, different arrangements of debris. Some were sterilised by fallout from blasts over Newhaven Fort .
So many Brightons, but Brighton-1218 is the safest place to be if you are ordinary.
It’s that time of year when Present James commits Future James to attending lots of events, even though Current James can’t stand the idea of going out two nights in a row. It’s great that the Fringe brings so much great entertainment, but it would be better to have it spread out across the year. There are too many things happening in a short time.
Of course, May’s highlight will be seeing the full version of Rosy’s show Passionate Machine. She performed a version of this in a previous fringe, and since then has been working with producers and dramaturges, meaning that the new version will knock people’s socks off. You can read about it in this interview with Rosy. I’m going to the Monday show.
Sh!t Theatre’s Letter to Windsor House is one of my favourite ever theatrical things, and I can’t wait to see DollyWould. I saw a version at Latitude last year and it was great: cloning, body farms and Dolly Parton!
The main festival is curated by David Shrigley, whose contributions include Life Model II, which replaces “the live model with David Shrigley’s caricatured sculpture of a nine-foot-tall woman“. So, not problematic at all. Kate Shields is one of the people appearing at a (free but ticketed) discussion panel at Fabrica on May 2nd, Between Artist and Model. Is this the art equivalent of an automated till?
Sunday May 6th, there’s a fun double bill at the Dukebox, with two spoken word shows on the same evening. Luke Wright is performing his Down the Pub show, a relaxed pub set. Earlier that same evening, Jonny Fluffypunk has a show at the same venue, How I Came To Be Where I Never Was.
On 8th of May, there’s Laud of the Rings. I’ve been thinking a lot about hiking and Tolkien as part of my Walkerpunk project so couldn’t resist this: “Josh Gardner saved Europe by reenacting Frodo’s journey to Mordor [travelling] from Oxford to Istanbul dressed as a hobbit“
I’ve no idea what to expect from The O.S. Map Fan Club, but I don’t see how a show on that topic won’t be interesting.
I was sent the above photograph by Chris, who took it in Barcelona. The lighting might not be perfect, but you can make out the graffiti: DEAN.
A long time ago in Brighton, there was a graffiti artist who wrote that same word in huge capital letters. I’ve written about DEAN in the past; despite the unsophisticated tag, the genius placements made DEAN my favourite graffiti artist.
I read a rumour that the artist had died fleeing from the police. But seeing this picture from Barcelona, I like the idea that DEAN moved to Spain, and has lived a life so wonderful that they have added colour and sparkles to their tag.
I don’t normally take Brighton busses, but I was running late. I’d had to pick up a parcel then head into town, so I was waiting for the number 7 near Hove station. Bored, I spotted something odd in a box of leaflets. At first I thought someone had sneaked in a flyer.
Moving a little closer, I saw it was a zine. So I picked it up and read it.
This is the sort of thing I love about zines. You certainly don’t get this from a website. You don’t find websites carefully hidden when you’re wandering away from your usual routes.
Secret Desires is by Cynical Elliot, and the cover features “the bloke from Keane”. Now, there’s a band I’ve not thought about in years. I’ve listened to their records in the past, but can’t recall the names of any songs without checking Wikipedia.
The zine features portraits of various musicians, and invites us to “leave our musical prejudices at the door”. Now, I’m giving no quarter on my dislike of Jamiroquai’s music, but Dolly Parton I do have time for. And Bananarama.
Finding this on the way to work was a Good Thing. I love the idea of media that’s not tied to clicks and referrers, but is distributed by leaving it somewhere. Maybe there should be more of this sort of thing. (Maybe I should be doing this sort of thing?). Media like messages in bottles.
I was really happy to see this sticker a while back:
Long ago, around the turn of the century, the Bob Dobbs symbol was everywhere in Brighton. Inspired by the American Church of the Subgenius, Jim Bob began to use the Dobbs head as a symbol for parties and general mayhem. He gave an excellent talk on this at the Wellebourne Society a few years back.
As with most interesting things going on in Brighton around then, I knew it was happening and never did much about it – although I did enjoy one of their pre-election fundraisers at the Concorde 2.
At one point, in the ’90s, the Brighton [group] had a whole “Bob” storefront… they almost won a local election with “Bob” – Rev. Jim in a Giant-Dobbshead mask — running under the Dobbs Free Party banner; PISS, an air guitar band with Kiss-style Dobbsheaded members, had an actual recording contract… To many [Brighton people], the Dobbshead had always signified only a great party at Jim’s. They’d no idea that there were also dozens of books, CDs and films, assembled by hundreds of Subgenii from every other place in the world BESIDES Brighton. It was an almost Galapagos-like evolutionary situation, whereby a whole species had been cut off from its fellows and had advanced along completely different evolutionary lines.
It’s good to see the Dobbshead turn up about the place again. I may not have been anywhere near this when it happened at the time, but it’s still a sign of the Brighton I love, a place of odd stories and strange societies.
Last night I went for a walk along Brighton seafront. The i360 was dark, as if ashamed of its recent breakdowns. Crueller people, including the BBC, have labelled it ‘faulty tower’. The tide was out, meaning it was possible to walk along the sand. We could have walked among the West Pier ruins, had they not been demolished to make way for the i360.
Further along the seafront the carousel had been erected ready for the summer season.
I don’t know exactly when it went up this year – it’s been a couple of weeks since I’ve been down this end of the seafront.A few years ago, I performed a piece called Two Towns, about how Brighton was two places, one in summer, another in winter. Brighton can be a depressing place in the cold, but it’s glorious on a sunny day. The return of the Carousel means the year has turned (see also: 2010, 2016).
Last weekend, it was bright enough that I got my first sunburn while I was out hiking. The town is filling up with visitors and the clocks have gone forward, giving everyone a couple of hours between work finishing and dark. While there are people out swimming every day of the year here, it will be soon time for the summer swimmers to join them. It’s good to be in Brighton right now.
John has been running The Smallest Bookshop in Brighton for some time, with tiny batches of books available at different locations around the town. The new venue doesn’t really qualify as small, as there are lots of books available. Some really good ones too – the shop sells a number of books that I love. On my first quick visit I replaced a book I previously owned that had been surrendered before my last house move.
(I think that is why Brighton has so many good second hand books available – most people don’t have room to keep many, and have to discard books they would otherwise keep)
John is also owner of Invocations Press, which has published a number of excellent books. Among them is Bookends, John’s “Partial History of the Brighton Book Trade”. It records many much-loved and much-missed shops, and includes a bibliopolyography listing all known Brighton bookshops. It is also a very amusing book, with some brilliant asides – my favourite being the claim that “all books about Brighton are legally obliged to mention [Aleister] Crowley”
4/3/17 – Over on Facebook, John wrote: “Worth mentioning too that it would have been impossible without the help of Mark at Ububooks in the Open Market who shares the majority of the Unit as well. So, a greater range of books than you could shake a stick at. Which you are welcome to do. As long as it’s not muddy and bits don’t fall off it. And you buy something after you’ve had your unusual fun.“
In May 2010 I wrote a post about the Lost Bookshops of Brighton. Visiting Brighton’s bookshops in the 1990s was one of the things that made me fall in love with this town. Over the last 20 years, most of the country’s second hand bookshops have closed, caught between Amazon and a surge in charity shops (who avoid many of the overheads of second-hand bookshops). I miss hunting for second hand books, something I used to spend whole afternoons doing.
Another Brighton bookshop is about to be lost. PS Brighton is covered in 50% discount posters, a ‘To Let’ sign hanging above it. This was an excellent source for cult novels, rock biographies and art books. It’s going to be replaced by another coffee shop.
The day after taking the photograph above, I walked down Trafalgar Street. The shop at the corner of Over Street, most recently a bike shop is being refitted. A ghost-sign has emerged from one of the shop’s former incarnations as the Trafalgar Bookshop. I can no longer remember the specific layout of this place, only that it was one of the places I enjoyed hunting.
Rabbit Island was a bit of Brighton folklore. An overgrown roundabout on the way out of town, you’d sometimes see rabbits peeking out from the undergrowth. The story was that someone had placed a couple of pets there and they’d raised an empire. I’m not sure that makes sense – putting rabbits there rather than the neighbouring park would be ridiculous – but there were definitely a lot of animals trapped in a small area. It was a leporine equivalent of the TV show Lost.
Earlier this year, the council cut back the vegetation on Rabbit Island. There is no cover, and there are no rabbits. All that remains on the island are a few pieces of metal piping. Apparently this was for safety, although the excellent Brighton Bits website points out that the foliage cut down headlight glare. It’s also a poor welcome for visitors to Brighton.